U2 Tickets
Ticket Retriever sells tickets for all U2 events. We specialize in
providing you with premium and other U2 tickets that are in high
demand. We can help you gain access to tickets for all major events.
Click Here
To View Schedules &
Purchase U2 Tickets
|
The U2 Story - Part 1
The story of U2 began at Mount Temple School in north-east Dublin
in the autumn of 1976. Larry Mullen advertised on the school notice
board asking if anyone wanted to join a band. Those who responded,
with varying degrees of enthusiasm, included Paul Hewson, Dave Evans
and his brother Dick, and Adam Clayton. These five agreed to start up
a band, calling themselves Feedback. Larry himself was a competent
drummer and Adam had a bass guitar, but the other roles were not yet
settled.
The band was allowed to rehearse in a classroom at Mount Temple,
although their initial efforts were fairly haphazard, and with no
recognized vocalist. Paul Hewson did not see himself as a singer, but
he was a natural actor and his vocals were better than his guitar
playing, so he became the "front man" for the band. Paul Hewson
belonged to a "clan" of local teenagers who called themselves Lypton
Village. They all invented nicknames for each other. Paul adopted the
name Bono Vox, usually shortened to Bono. Dave Evans, although not a
member of the "Village", was called The Edge, a reference to the shape
of his chin and his guitar playing style.
Feedback had their first public performance at a talent contest
organized at Mount Temple School. Although they didn't win the
contest, they were the most popular act with their school friends, and
the experience gave them the confidence to continue. Shortly
afterwards the band changed their name to Hype for their second gig at
St. Fintan's Hall.
Adam Clayton had taken on the role of manager, and succeeded in
arranging a number of gigs in local pubs and clubs. The band had added
some more songs to their repertoire, including some Rolling Stones
numbers, but they were all cover versions, and they had little to set
them apart from any other pub band. But at least the line-up was
beginning to take shape.
That shape did not include Dick Evans, who dropped out in early 1978
(according to some reports there was a farewell concert). Shortly
afterwards Dick joined Gavin Friday and other members of the Lypton
Village crowd in another musical venture, The Virgin Prunes.
It became clear to the band that they would have to find some new
material. Bono in particular wanted to write his own songs. Their
first original song, Street Mission, was not impressive but at least
it was a start. Adam was now spending most of his time trying to
organize gigs for Hype, and as a result he was asked to leave Mount
Temple School. He continued his efforts to get the band noticed, but
not always with much success, although Hype had appeared at McGonagles,
a major Dublin rock venue.
Adam pestered anyone in the music business that he though might be
able to help. His targets included DJs, the music press, and other
bands such as the Boomtown Rats. One of the people Adam talked to was
Steve Averill (aka Steve Rapid of the Radiators) who also worked for
an advertising agency. Out of this conversation came the conclusion
that the band could and should find a better name. A few days later,
Steve came up with an idea which he suggested to Adam - U2.
Adam liked the name, but the rest of the band was initially doubtful.
According to legend, the band played the first half of their next set
as Hype, and the second half as U2, then asked the audience which name
they preferred. Adam had entered the band as Hype in a major talent
contest organized by the Evening Press and Harp Lager, and he lost no
time in changing their name on the entry form to U2.
The contest was held in Limerick in March 1978. As well as a ?500
prize, the winners would get an opportunity to spend a day in a
recording studio to cut a demo disc for CBS Ireland. U2 duly won the
contest, and a few weeks later had the promised session at the
Keystone Studios in Dublin. The demo was adequate but not particularly
impressive. Although CBS Ireland offered them a recording deal which
was typical for new bands, the band felt uncertain and in need of
advice.
They spoke to Bill Graham of Hot Press, then Ireland's only major
music paper. It was clear that they needed a manager who could handle
the business side. Bill Graham knew Paul McGuinness, who had managed
an Irish folk band, and suggested that they should meet. Paul was not
enthusiastic at first, thinking from Bill's description that U2 were a
punk band, but when he attended a gig at the Project Arts Centre in
Dublin he not only liked what he heard, but he also saw the band's
potential for the future. So he quickly reached an agreement with the
band that ensured that U2 now had a proper manager.
Paul McGuinness arranged another demo session, again at Keystone
Studios. Paul got Barry Devlin of Horslips to produce the demo,
comprising three songs: Street Mission, The Fool, and Shadows and Tall
Trees. The recording session went well, and both Paul and the band
were happy with the results, but Paul found it hard to persuade the
London record companies that U2's demo was any different from the
dozens that they received every week. U2 continued to play gigs in
Ireland, including the now legendary Dandelion Market afternoon
concerts in a disused car park in Dublin.
Although the band got good reviews, especially in Hot Press, a record
deal was slow in coming. Jackie Hayden of CBS Ireland still wanted to
do something with the band, but could not interest CBS UK. So an
agreement was reached whereby U2 would record for CBS in Ireland, but
would be free to seek a deal elsewhere for sales in the rest of the
world. So another session with CBS produced their first record, a
three-track single called U2-3. A thousand copies of the single were
pressed and they quickly sold out. U2 also recorded a concert for
Irish TV. The band had achieved their first success, albeit only in
Ireland.
Despite the continuing efforts of Paul McGuinness, the UK record
industry still showed no interest in the emerging band. So Paul
arranged a series of gigs in London. The band had struggled to finance
the tour and The Edge was struggling with an injured hand, but the
gigs were well received by the fans and the critics. More important,
they had at last attracted some record company interest, notably from
Gem and Island. But no firm offers were yet forthcoming.